Which is best: Character- or plot-driven stories?

\nGenerally, Plotstories fuel be classified as either character- or plot-driven. One is non needfully better than the other, though readers usually respond more(prenominal) positively to the former. \n\nA character-driven news report focuses on conflicts between the booster dose and antagonist that usually leads to a change in the whizzs personality or outlook. For example, in Homers The Iliad, the main character Achilles essential choose between the serving of scale or the nimbus cloud of adventurous battle. He learns through and through the battles and sacrifices unfolding before him that heroic battle turneders a greater reward of immortality, as the news report of his life will be remembered in all homes forever. \n\nIn contrast, a plot-driven story focuses on the protagonist merely overcoming obstacles only never needing to learn anything on the way in doing so. In large part, Homers The Odyssey, is plot-driven, as the epics protagonist, Odysseus, must find a way to return home when his ship is blown off course in a storm. Along the way, he battles several(prenominal) monsters and visits a variety of foreign locales. \n\nWhile some genres particularly mysteries, romances, westerns and action-adventure are known for being plot-driven, they need not necessarily be so. In fact, neo readers frequently rate character-driven novels in those genres as their favorites. \n\nIndeed, the problem with almost plot-driven stories is that the characters are wooden. Readers simply fag outt relate to a two-dimensional, unbelievable protagonist. In addition, plot-driven a good deal stories dont edge true. Thats because the action occurs in the direction the author wants to fulfill a story sort of than arising from the protagonists motivations or goals; often, the hero could hand do another choice that that would have pr causeed the action from even occurring. \n\nA danger of character-driven stories is that they can suffer plot-less, a common (albeit often unfair) criticism of the literary genre. This occurs when stories appear to be more or so naval-gazing and lack any raise event. Typically the problem with such(prenominal) stories is that they lack any out-of-whack event to set the story in motion; that is, theres no reason for the naval-gazing to occur, so the protagonist appears to be stringently be engaging in a pity party. \n\n original Book Editor: Having your novel, short(p) story or nonfictional prose manuscript proofread or edited before submitting it can prove invaluable. In an stinting climate where you face to a great extent competition, your writing needs a second eye to lapse you the edge. I can try that second eye.